The biggest problem with this album is its lack of discernable melodies. Once you’ve passed the first few tracks – ‘When You Gonna Learn’, ‘Too Young To Die’, and so forth – the album runs through a series of meandering tracks which just play along with little apparent structure. On the positive side, this doesn’t really seem to matter, as the music remains a joy to listen to. Picking out the obvious hooks is hard, but the weaving together of instruments from track to track is a delight. There are seventeen credited musicians on the album, as well as an undefined string section, so this shouldn’t come as much of a surprise. The strings in particular are far more prominent here than they would go on to be, and there’s a world-music feel which later albums would loose (though when I say ‘world-music’, I’m really only talking about didjeridoo and percussion).
After a couple of days letting this album play and play (I hadn’t listened to it for a good while), I couldn’t tell you much about the songs on the second half, but I did enjoy it. Worth coming back to.
No comments:
Post a Comment