‘Finest Worksong’ begins the album with a decent amount of bluster before ‘Welcome To The Occupation’ serves up a more typical slice of folk-inspired vaguely political meandering, made great by it’s two part harmony, a feature that REM used a lot at the time. ‘Exhuming McCarthy’ is a jauntier track – like a prototype ‘Stand’ with allegedly weightier lyrics.
Variations on these three track types fill the rest of the album, to a generally high level of success. There are further standouts – ‘It’s The End Of The World As We Know It’ is successful as a result of its speed, and its determination to cram in as many lyrics as possible, ‘The One I Love’ succeeds through having a very strong (if simple) melody. The rest of the album just sort of chugs along happily until the end comes. A perfectly decent listen, but nothing to get wildly excited about.
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