The surprise, I suppose, is what’s missing. ‘Blue Is The Colour’ and ‘Quench’, the two massive selling Beautiful South albums came after this compilation, so lots of the songs that are most associated with the band aren’t here. You do, however, get ‘Song For Whoever’, ‘A Little Time’, ‘You Keep It All In’ and ‘Old Red Eyes Is Back’ among its fifteen tracks, most of which are familiar on some level, and all of which are good. The blend of fairly gentle arrangements and delicate lyrics with a heavy streak of cynicism give the songs quite a timeless quality – they’d stand out a bit today, but they would have stood out a bit in the early 90s when they were released as well, which is no bad thing. My initial vague appreciation of Paul Heaton’s songwriting is fully confirmed (with apologies to Dave Rotherway, the co-writer I knew nothing about). In fact, I’ve been listening to this for a few days now, and enjoying it immensely.
Wednesday, 20 January 2010
'Carry On Up The Charts' by The Beautiful South
The surprise, I suppose, is what’s missing. ‘Blue Is The Colour’ and ‘Quench’, the two massive selling Beautiful South albums came after this compilation, so lots of the songs that are most associated with the band aren’t here. You do, however, get ‘Song For Whoever’, ‘A Little Time’, ‘You Keep It All In’ and ‘Old Red Eyes Is Back’ among its fifteen tracks, most of which are familiar on some level, and all of which are good. The blend of fairly gentle arrangements and delicate lyrics with a heavy streak of cynicism give the songs quite a timeless quality – they’d stand out a bit today, but they would have stood out a bit in the early 90s when they were released as well, which is no bad thing. My initial vague appreciation of Paul Heaton’s songwriting is fully confirmed (with apologies to Dave Rotherway, the co-writer I knew nothing about). In fact, I’ve been listening to this for a few days now, and enjoying it immensely.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment