
The album kicks off with the title track. In a sense, it’s a logic choice – it certainly sets the tone. The trouble is, its so big, and climactic, and brilliant, that it’s very hard to follow. ‘El Condor Pasa’ certainly doesn’t cut it, and ‘Cecila’, the albums third track, doesn’t manage it either, despite all its qualities. If the title track had been the final song on the album, I can’t help feeling it would have worked a lot better (although ‘Song For The Asking’ could have still been a good final ending).
None-the-less, these quibbles aside, the overall quality of the record is in no doubt. The filler on this record would be standout tracks on lesser albums, and 30 years on, it’s still a benchmark of its type.
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